The most important part of my artistic practice is the work process itself. I make many rough sketches, miniature prototypes, or I will sculpt a faster, simpler version of an upcoming piece. These work as guidelines for me as I work towards my goal; however, they are not set in stone and I will change them over time as I come closer to the finished project.
During the working process, I find the properties and textures of the materials to be very intriguing: the soft surface of faux fur, a rusty wire, the light and crunchy foam...
There is always something new to learn from experimenting with the materials.
Olga Novola, 1991, Moskova, Venäjä
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